Add a complete anamorphic lens solution to your production kit with this Laowa Nanomorph T2.9 1.5x LF Anamorphic 4-Lens Bundle from Venus Optics. The package comprises 32, 42, 55, and 85mm T2.9 anamorphic lenses with interchangeable ARRI PL and Canon EF mounts.
Venus Optics Laowa Nanomorph 32mm T2.9 1.5x LF Anamorphic Lens (ARRI PL & Canon EF, Blue Flare)
Capture stunning anamorphic footage with elegant blue flares and constant oval bokeh from the center to the edge of your image using the Laowa Nanomorph 32mm T2.9 1.5x LF Anamorphic Lens from Venus Optics. Covering beyond your full-frame sensor, the professional-grade optics provide a constant 1.5x squeeze ratio. The included ARRI PL and Canon EF lens mounts can be easily swapped with separately available bayonets to match different cameras, and the lens is compatible with MOFAGE POCO drop-in filters, making it a versatile and ideal solution for high-end film production.
Beyond Full-Frame Coverage
The generous 44.7mm image circle enhances image quality by reducing vignetting, providing optimal coverage for the widely used ARRI ALEXA LF 4.5K Open Gate. The imaging area covers full-frame sensors and 16:9, 3:2, and 4:3 formats, allowing easy output to 2:1, 2.25:1, 2.66:1, and 2.4:1 aspect ratios while maintaining quality.
Constant 1.5x Squeeze Ratio
With a 1.5x squeeze ratio, the Laowa Nanomorph achieves a 2.66:1 aspect ratio on a 16:9 sensor after de-squeeze, delivering a much more pronounced anamorphic and cinematic look compared to a 1.33x anamorphic lens.
Consistent Bokeh from Center to Edge
The shape of the bokeh changes from the center to the edges of the frame, sometimes taking on a moon-shaped appearance, which can occasionally be distracting. In contrast, the Nanomorph LF delivers a more consistent bokeh across the frame.
Waterfall Bokeh
The iris ranges from T2.9 to T22 across the entire series, enabling filming in all lighting conditions and meeting the dynamic demands of on-set production. A stunning shallow depth of field can be achieved at wide apertures, and the lenses create a smooth, organic waterfall focus roll-off in the background, which is one of the most sought-after anamorphic characteristics in the film industry.
Outstanding Image Quality
This lens' impressive sharpness and contrast make it highly versatile for various production needs, matching the performance of modern sensors. Even when used wide open, the image remains sharp and pristine, suitable for theatrical and cinematic projects. For those seeking a vintage look, the lenses offer ample flexibility for post-production adjustments or pairing with filters, empowering cinematographers to explore their creative vision for the long term.
Great Flexibility in Composition
Many anamorphic lenses on the market exhibit compression artifacts near the edges of the frame, causing the size and shape of objects to change (i.e., swimming effect), especially when positioned near the edges. This limits a cinematographer's creative freedom in composition and is generally not a characteristic they seek in their work. In contrast, the Nanomorph LF offers excellent control over the performance of the edge.
Low Focus Breathing
Low focus breathing ensures consistent framing and a stable field of view when shifting focus, making it ideal for seamless focus pulls and smooth transitions. This enhances video quality by minimizing distractions and maintaining precise compositions, producing more natural, professional-looking visuals.
Compact Form Factor
Nanomorph LF lenses strike the sweet spot between compact size, weight, optical quality, and professional usability, making these lenses ideal for a wide range of productions. They are compatible with RS4 and RS4 Pro gimbals.
Venus Optics Laowa Nanomorph 42mm T2.9 LF Anamorphic Lens (ARRI PL & Canon EF, Blue Flare)
Capture stunning anamorphic footage with elegant blue flares and constant oval bokeh from the center to the edge of your image using the Laowa Nanomorph 42mm T2.9 LF Anamorphic Lens from Venus Optics. Covering beyond your full-frame sensor, the professional-grade optics provide a constant 1.5x squeeze ratio. The included ARRI PL lens mount can be easily swapped with separately available bayonets to match different cameras, and the lens is compatible with MOFAGE POCO drop-in filters, making it a versatile and ideal solution for high-end film production.
Beyond Full-Frame Coverage
The generous 44.7mm image circle enhances image quality by reducing vignetting, providing optimal coverage for the widely used ARRI ALEXA LF 4.5K Open Gate. The imaging area covers full-frame sensors and 16:9, 3:2, and 4:3 formats, allowing easy output to 2:1, 2.25:1, 2.66:1, and 2.4:1 aspect ratios while maintaining quality.
Constant 1.5x Squeeze Ratio
With a 1.5x squeeze ratio, the Laowa Nanomorph achieves a 2.66:1 aspect ratio on a 16:9 sensor after de-squeeze, delivering a much more pronounced anamorphic and cinematic look compared to a 1.33x anamorphic lens.
Consistent Bokeh from Center to Edge
The shape of the bokeh changes from the center to the edges of the frame, sometimes taking on a moon-shaped appearance, which can occasionally be distracting. In contrast, the Nanomorph LF delivers a more consistent bokeh across the frame.
Waterfall Bokeh
The iris ranges from T2.9 to T22 across the entire series, enabling filming in all lighting conditions and meeting the dynamic demands of on-set production. A stunning shallow depth of field can be achieved at wide apertures, and the lenses create a smooth, organic waterfall focus roll-off in the background, which is one of the most sought-after anamorphic characteristics in the film industry.
Outstanding Image Quality
This lens' impressive sharpness and contrast make it highly versatile for various production needs, matching the performance of modern sensors. Even when used wide open, the image remains sharp and pristine, suitable for theatrical and cinematic projects. For those seeking a vintage look, the lenses offer ample flexibility for post-production adjustments or pairing with filters, empowering cinematographers to explore their creative vision for the long term.
Venus Optics Laowa Nanomorph 55mm T2.9 1.5x LF Anamorphic Lens (ARRI PL & Canon EF, Blue Flare)
Capture stunning anamorphic footage with elegant blue flares and constant oval bokeh from the center to the edge of your image using the Laowa Nanomorph 55mm T2.9 1.5x LF Anamorphic Lens from Venus Optics. Covering beyond your full-frame sensor, the professional-grade optics provide a constant 1.5x squeeze ratio. The included ARRI PL lens mount can be easily swapped with separately available bayonets to match different cameras, and the lens is compatible with MOFAGE POCO drop-in filters, making it a versatile and ideal solution for high-end film production.
Beyond Full-Frame Coverage
The generous 44.7mm image circle enhances image quality by reducing vignetting, providing optimal coverage for the widely used ARRI ALEXA LF 4.5K Open Gate. The imaging area covers full-frame sensors and 16:9, 3:2, and 4:3 formats, allowing easy output to 2:1, 2.25:1, 2.66:1, and 2.4:1 aspect ratios while maintaining quality.
Constant 1.5x Squeeze Ratio
With a 1.5x squeeze ratio, the Laowa Nanomorph achieves a 2.66:1 aspect ratio on a 16:9 sensor after de-squeeze, delivering a much more pronounced anamorphic and cinematic look compared to a 1.33x anamorphic lens.
Consistent Bokeh from Center to Edge
The shape of the bokeh changes from the center to the edges of the frame, sometimes taking on a moon-shaped appearance, which can occasionally be distracting. In contrast, the Nanomorph LF delivers a more consistent bokeh across the frame.
Waterfall Bokeh
The iris ranges from T2.9 to T22 across the entire series, enabling filming in all lighting conditions and meeting the dynamic demands of on-set production. A stunning shallow depth of field can be achieved at wide apertures, and the lenses create a smooth, organic waterfall focus roll-off in the background, which is one of the most sought-after anamorphic characteristics in the film industry.
Outstanding Image Quality
This lens' impressive sharpness and contrast make it highly versatile for various production needs, matching the performance of modern sensors. Even when used wide open, the image remains sharp and pristine, suitable for theatrical and cinematic projects. For those seeking a vintage look, the lenses offer ample flexibility for post-production adjustments or pairing with filters, empowering cinematographers to explore their creative vision for the long term.
Great Flexibility in Composition
Many anamorphic lenses on the market exhibit compression artifacts near the edges of the frame, causing the size and shape of objects to change (i.e., swimming effect), especially when positioned near the edges. This limits a cinematographer's creative freedom in composition and is generally not a characteristic they seek in their work. In contrast, the Nanomorph LF offers excellent control over the performance of the edge.
Low Focus Breathing
Low focus breathing ensures consistent framing and a stable field of view when shifting focus, making it ideal for seamless focus pulls and smooth transitions. This enhances video quality by minimizing distractions and maintaining precise compositions, producing more natural, professional-looking visuals.
Compact Form Factor
Nanomorph LF lenses strike the sweet spot between compact size, weight, optical quality, and professional usability, making these lenses ideal for a wide range of productions. They are compatible with RS4 and RS4 Pro gimbals.
Venus Optics Laowa Nanomorph 85mm T2.9 1.5x LF Anamorphic Lens (ARRI PL & Canon EF, Blue Flare)
Capture stunning anamorphic footage with elegant blue flares and constant oval bokeh from the center to the edge of your image using the Laowa Nanomorph 85mm T2.9 1.5x LF Anamorphic Lens from Venus Optics. Covering beyond your full-frame sensor, the professional-grade optics provide a constant 1.5x squeeze ratio. The included ARRI PL lens mount can be easily swapped with separately available bayonets to match different cameras, and the lens is compatible with MOFAGE POCO drop-in filters, making it a versatile and ideal solution for high-end film production.
Beyond Full-Frame Coverage
The generous 44.7mm image circle enhances image quality by reducing vignetting, providing optimal coverage for the widely used ARRI ALEXA LF 4.5K Open Gate. The imaging area covers full-frame sensors and 16:9, 3:2, and 4:3 formats, allowing easy output to 2:1, 2.25:1, 2.66:1, and 2.4:1 aspect ratios while maintaining quality.
Constant 1.5x Squeeze Ratio
With a 1.5x squeeze ratio, the Laowa Nanomorph achieves a 2.66:1 aspect ratio on a 16:9 sensor after de-squeeze, delivering a much more pronounced anamorphic and cinematic look compared to a 1.33x anamorphic lens.
Consistent Bokeh from Center to Edge
The shape of the bokeh changes from the center to the edges of the frame, sometimes taking on a moon-shaped appearance, which can occasionally be distracting. In contrast, the Nanomorph LF delivers a more consistent bokeh across the frame.
Waterfall Bokeh
The iris ranges from T2.9 to T22 across the entire series, enabling filming in all lighting conditions and meeting the dynamic demands of on-set production. A stunning shallow depth of field can be achieved at wide apertures, and the lenses create a smooth, organic waterfall focus roll-off in the background, which is one of the most sought-after anamorphic characteristics in the film industry.
Outstanding Image Quality
This lens' impressive sharpness and contrast make it highly versatile for various production needs, matching the performance of modern sensors. Even when used wide open, the image remains sharp and pristine, suitable for theatrical and cinematic projects. For those seeking a vintage look, the lenses offer ample flexibility for post-production adjustments or pairing with filters, empowering cinematographers to explore their creative vision for the long term.
Great Flexibility in Composition
Many anamorphic lenses on the market exhibit compression artifacts near the edges of the frame, causing the size and shape of objects to change (i.e., swimming effect), especially when positioned near the edges. This limits a cinematographer's creative freedom in composition and is generally not a characteristic they seek in their work. In contrast, the Nanomorph LF offers excellent control over the performance of the edge.
Low Focus Breathing
Low focus breathing ensures consistent framing and a stable field of view when shifting focus, making it ideal for seamless focus pulls and smooth transitions. This enhances video quality by minimizing distractions and maintaining precise compositions, producing more natural, professional-looking visuals.
