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NEW

Fujifilm GFX Eterna 55 Cinema camera

Name: Fujifilm GFX Eterna 55 Cinema camera
Brand: Fujifilm
Price: 6659890 HUF
Availability: InStock

Article No:

328-GFXETERNA55

Available to order

6 659 890 Ft

Large-Format Sensor, Variable ND
4K48 4:3 Open Gate, 6.3K24 Super 35
14.5-Stop Dynamic Range, Dual-Native ISO
Internal ProRes 422 HQ, H.265, Proxies
Ext HDMI 10-Bit Uncompressed, 12-Bit Raw
5" 16:9, 3" 3:2 Touchscreen LCD Screens
20 Film Simulations, F-Log2/C 3D LUTs
FUJIFILM G and ARRI PL Lens Mounts
Ethernet, BLE with TG-BT1/ATOMOS AirGlu
CFexpress and SD Card Slots, USB-C Port

Learn more

Details

FUJIFILM GFX ETERNA 55 Cinema Camera – large format video for professional work

Video-centric GFX for film workflow – available at Fotoplus

The GFX ETERNA 55 brings Fujifilm's photographic heritage to large format video. The new 55 (diagonal) sensor offers a native 4:3 aspect ratio, wide format support and GF/PL ecosystem to meet the demands of today's productions.

Key benefits at a glance

Large format (43.8×33.9 mm) CMOS, native 4:3, 1.75× larger surface area than 4-perf S35
Five main shooting modes: GF & Premista, 35 mm, anamorphic (35 mm), Super 35
Open Gate, S35 and 2.39:1 anamorphic options; real-time de-squeeze monitoring
Internal ProRes 422/HQ/LT, H.265/HEVC 4:2:2 10-bit, H.264, ProRes Proxy
HDMI 2.1 10-bit 4:2:2 and 12-bit RAW output, 12G-SDI
Variable ND: ND0.6–2.1 (2–7 EV), fine 0.015 steps
OLPF for moiré reduction (also useful for LED walls)
20 film simulations (PROVIA, Velvia, ASTIA, Classic Chrome, REALA ACE, ETERNA, ACROS, etc.)
Dual display: two side 3" touch LCDs (4:3, 700 nits) + external 5" 16:9, 2000 nits
G/PL mount (factory G, included ARRI PL adapter, Cooke /i data support)
Wi-Fi + Ethernet, browser remote control (FIZ), io compatibility

Sensor and formats

The designation 55 refers to the diagonal of the sensor. The native 4:3 aspect ratio is ideal for Open Gate work, anamorphic lenses, and multi-platform cropping.

Resolutions and frame rates (selection)

Open Gate 4:3: 3.8K up to 48 fps
Super 35: 6.3K24 (16:9), DCI 4K/UHD 4K up to 30 fps, 1080p60
Anamorphic 2.39:1: Cine 5.8K (up to 30 fps), S35 8K24 (2.39:1), S35 4K24 (1.2:1)

The camera offers real-time anamorphic de-squeeze display for on-site monitoring.

Codecs and recording

Internal: Apple ProRes 422 / 422 HQ / 422 LT, 4:2:2 10-bit HEVC/H.265, H.264, ProRes Proxy
External: HDMI 2.1 4:2:2 10-bit uncompressed or 12-bit RAW
12G-SDI (BNC) video output for professional chains

Displays and operability

Two built-in 3" 4:3 touch LCDs (700 nits) – camera can be operated from both sides
External 5" 16:9 touch LCD (2000 nits) – for outdoor use in daylight
Custom frame guides: 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1 + custom; 1–100% scale, 4 line thicknesses, 5 colors
Top handle: multifunctional left-side dial (ND/focus/aperture/zoom), slide rail for quick balance

Connection and remote control

Wi-Fi + Ethernet: browser-based control (focus, iris, zoom), Frame.io compatibility
BLE: FUJIFILM TG-BT1 tripod handle, Atomos AirGlu Ambient support
Audio expansion: TASCAM XLR microphone adapter handle compatible

Film simulations

20 built-in Fujifilm film simulations: PROVIA, Velvia, ASTIA, Classic Chrome, REALA ACE, PRO Neg Hi/Std, Classic Neg, Nostalgic Neg, ETERNA/Cinema, ETERNA Bleach Bypass, ACROS (Ye/R/G), Black & White (Ye/R/G), Sepia.

Recommended for

Advertising, branded content, narrative – large format look, flexible Open Gate/Anamorphic
Studio and LED wall – OLPF, reliable de-squeeze, accurate frame guides
Documentary and corporate – Robust I/O (SDI/HDMI), Ethernet remote, Frame.io
Small crew/solo – built-in ND, film simulations, ProRes workflow

Why Fotoplus?

Official Fujifilm partner – valid warranty, up-to-date firmware and workflow support
Lens and rig consulting (GF/PL, focus motors, monitors, audio)
Fast shipping, bundles, financing options

Fujifilm GFX Eterna 55

Advanced Large-Format Video Capture

Fujifilm brings its vaunted photographic history to a video-centric form with the GFX Eterna 55 Cinema Camera. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX Eterna 55's array of features is designed for exceptional video capture and seamless integration with Fujifilm G lenses.

Native 4:3 Aspect Ratio

Dubbed the GFX Eterna "55" in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.

Five Main Formats

The GFX ETERNA 55 offers five main formats that are paired to specific lens categories:

GF and Premista, for use with FUJIFILM lenses.
35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.
Each of these five formats has multiple resolution selections, further expanding your capture options.

Video Formats/Resolutions

The GFX ETERNA 55 expands the GFX100 II's video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.

Open Gate is available in 3.8K 4:3 at rates up to 48 fps.
Super 35 options include 6.3K24 in 16:9, DCI 4K30/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.
Anamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.

Anamorphic Ready

The GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.

Recording Codecs

Take full advantage of the GFX ETERNA 55's large sensor and internally record video in Apple ProRes 422/HQ/LT, 4:2:2, 10-bit HEVC/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.

Custom Frame Guides

Users can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customizable functions include 1-100% scaling, four line widths, and five color options.

FUJIFILM G and ARRI PL Mounts

The native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke /i lens data where available.

Variable ND Filter

The built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.

Low-Pass Filter

New to the GFX line, the included OLPF (optical low-pass filter) helps to reduce color anomalies and moiré effects, especially helpful when shooting with LED wall backgrounds.

20 Film Simulations

GFX ETERNA 55 users have access to 20 FUJIFILM film stock simulations, letting you recreate your favorite cinema looks.

PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE
PRO Neg. Hi and Std., Classic Neg., Nostalgic Neg., ETERNA/Cinema
ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, + R Filter, + G Filter
Black & White, Black & White + Ye Filter, + R Filter, + G Filter, Sepia

Hot Swapping

An internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.

5" Monitor and Dual 3" Displays

The GFX ETERNA 55 features dual built-in 3" touchscreens with 4:3 aspect ratios and 700 cd/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C. The GFX ETERNA 55's external 5" touchscreen color LCD monitor provides a 16:9 aspect ratio and 2000 cd/m² brightness for daylight visibility.

Dedicated Top Handle

The included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.

Connectivity

Built-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. BLE (Bluetooth Low Energy) will be supported using the FUJIFILM TG-BT1 tripod grip or an Atomos AirGlu Ambient device.